con • sens • us acknowledgements:
SOURCES
con·sens·us
draws extensively from
contact-improvisation, Boal-work,
and
several other meetings & encounters...
special thanks &
respect
to
Elaine Summers and her magnificent
pioneer work
in choreography and intermedia,
including her extraordinary technique Kinetic
Awareness®
her dances Invitation to
Secret Dancers, Circle
Dance
with Balloons, Buttons
and
Buttonholes, and Walking
Dance
for Any Number (among
many others) were used extensively and gave a great
inspiration during this
series.
equally
instrumental
were the
concepts
of responsible
anarchy and ethical
reformation
both coined by
Mary
O'Donnell-Fulkerson from
many
years of her work in Release, plus her teaching
of Open Form
Composition.
finally,
the system of the Six Viewpoints
as originated by Mary Overlie
(also developed by Anne Bogart / SITI-company)
provide an extra framework of orientation and to
create successfully in
a situation.
LINKS
thanks to the following individuals and
organisations for support /
co-production:
- Elaine
Summers
Dance & Film Company / Kinetic
Awareness®
Center New York
- Corien van der Poll, Stichting
Epicentrum,
Arnhem
- Saco Bekius, Stichting Akasha, Arnhem
- Mary O'Donnell-Fulkerson Release
- Mary Overlie Six
Viewpoints
- Ingrun Schnitzler, Eva Karczag, Luz da Camera,
Donald
Springer
Claudia Heu, Andreas
Simon
- Daniela Swarowsky, ZiM (Zwaanshals /
Zenith in
Motion), Rotterdam
- Christine De Smedt, Les
Ballets Contemporains de la Belgique Gent
(permission
for score from 9x9
developed with Marten Spångberg)
- Cuartito
Azul
Rotterdam
- Amanda
Rouse, Arturo
Vidich, Doron
Hanoch,
New York
- Mirta Demare, organisation of Perambulação,
gallery
Mirta Demare Rotterdam, Aharona Israel, Geeske Kanters
- Ludger
F.J.
Schneider & Donatella
Chiancone-Schneider, Cologne
- Nora de Baan,
Squatdeluxe,
Miquel
de Jong / two2move
dance
company, Lydia Mueller
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